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Pixies - Doolittle 25 album FLAC

Pixies - Doolittle 25 album FLAC
Performer: Pixies
Genre: Rock
Title: Doolittle 25
FLAC album size: 1192
Style: Indie Rock
Country: UK
Released: 2014

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Listen free to Pixies – Doolittle 25 (Debaser, Tame and more). Discover more music, concerts, videos, and pictures with the largest catalogue online at Last.

Doolittle is the second studio album by American alternative rock band Pixies, released in April 1989 on 4AD. The album's offbeat and dark subject material, featuring references to surrealism, Biblical violence, torture and death, contrasts with the clean production sound achieved by the newly hired producer Gil Norton. Doolittle was the Pixies' first international release, with Elektra Records as the album's distributor in the United States and PolyGram in Canada.

Doolittle 25 captures the best of this alt-rock landmark and offers up enough goodies to justify a full-blown celebration. 90. This three-disc 25th-anniversary package gives the Pixies' surreal 1989 breakthrough the monument it deserves.

Doolittle 25: B-Sides, Peel Sessions & Demos (CD2) (2014). Doolittle 25 (CD1) (2014). Doolittle 25 (CD2 - Peel Sessions) (2014).

Doolittle 25. By. Suzy Exposito. Along with the original LP, B sides and Peel Session performances illuminate the frenetic process leading up to classics like "Debaser" and "Gouge Away. Best of all are the unreleased 1988 demos: Recorded in a basement under a hair salon near Boston, they're a charmingly slapdash alternate view of the album that launched a thousand indie bands. In This Article: Pixies, Reissue.

Doolittle was an album audibly intended to push the Pixies into the big time, or at least as close to the big time as a US indie band could hope to get in 1989, an age when mainstream rock meant Phil Collins and Tina Turner. Out went producer Steve Albini, who’d recorded Surfer Rosa in 10 days, occasionally in the studio toilet; in came Gil Norton, who’d worked with Echo and the Bunnymen and Del Amitri. You could tell from the tracklisting that their notion of a lunge for mainstream acceptance didn’t involve toning down Francis’s obsession with violence: Gouge Away, Wave of Mutilation, I Bleed. The album lasted approximately 20 seconds before confronting you with a reference to Luis Buñuel; Dead, meanwhile, offered a retelling of the saga of David and Bathsheba set to a one-note riff.

There Goes My Gun (Peel Session). Doolittle 25: B-Sides, Peel Sessions And Demos. 04. Manta Ray (Peel Session). 05. Into The White (Peel Session). 06. Wave Of Mutilation (Peel Session). 07. Down To The Well (Peel Session). 01. Debaser (Demo 2). Pixies. 02. Tame (Demo 2).

Tracklist Hide Credits

B Sides
A1 Manta Ray 2:40
A2 Weird At My School 1:58
A3 Dancing The Manty Ray 2:14
A4 Wave Of Mutilation (UK Surf) 3:02
A5 Into The White 4:43
A6 Bailey's Walk 2:24
Peel Sessions 18/10/88
B1 Dead 3:18
B2 Tame 1:58
B3 There Goes My Gun 2:18
B4 Manta Ray 2:15
Peel Sessions 02/05/89
B5 Into The White 4:11
B6 Wave Of Mutilation 2:31
B7 Down To The Well 2:14
C1 Debaser 3:00
C2 Tame 2:10
C3 Wave Of Mutilation (First Demo) 2:04
C4 I Bleed 1:46
C5 Here Comes Your Man (1986 Demo) 3:07
C6 Dead 1:35
C7 Monkey Gone To Heaven 2:52
C8 Mr. Grieves 1:42
C9 Crackity Jones 1:21
D1 La La Love You 2:08
D2 No. 13 Baby Viva La Lomo Rica (First Demo) 2:17
D3 There Goes My Gun 1:29
D4 Hey (First Demo) 3:22
D5 Silver
Written-By – Kim Deal
D6 Gouge Away 1:42
D7 My Manta Ray Is All Right 2:30
D8 Santo 2:17
D9 Weird At My School (First Demo) 1:53
Original Album
E1 Debaser 2:51
E2 Tame 1:56
E3 Wave Of Mutilation 2:04
E4 I Bleed 2:34
E5 Here Comes Your Man 3:21
E6 Dead 2:21
E7 Monkey Gone To Heaven 2:56
F1 Mr. Grieves 2:05
F2 Crackity Jones 1:24
F3 La La Love You 2:43
F4 No. 13 Baby 3:51
F5 There Goes My Gun 1:43
F6 Hey 3:31
F7 Silver
Written-By – Kim Deal
F8 Gouge Away 2:43

Companies, etc.

  • Phonographic Copyright (p) – 4AD
  • Copyright (c) – 4AD
  • Mastered At – Abbey Road Studios
  • Recorded At – Downtown Recorders
  • Recorded At – Fort Apache
  • Recorded At – Palladium Studios
  • Recorded At – Eden Studios
  • Recorded At – Golders Green Hippodrome, London
  • Recorded At – Maida Vale Studios
  • Mixed At – Carriage House Studios
  • Mixed At – Fort Apache
  • Published By – Songs of Universal, Inc.
  • Pressed By – MPO


  • Art Direction, Design – Vaughan Oliver
  • Bass Guitar – Kim Deal
  • Drums – David Lovering*
  • Lead Guitar, Backing Vocals – Joey Santiago
  • Mastered By [Anniversary Edition] – Alex Wharton
  • Photography By [Original Sleeve] – Simon Larbalestier
  • Producer, Engineer – Gil Norton
  • Vocals, Guitar, Written-By – Black Francis


Comes in gatefold sleeve and includes voucher for mp3 download

Pressed by MPO (identified from runout etching)

180g Vinyl

Barcode and Other Identifiers

  • Barcode: 652637342512
  • Label Code: LC 05807
  • Matrix / Runout (Side A etched): CAD 3425 A MPO
  • Matrix / Runout (Side B etched): CAD 3425 B MPO
  • Matrix / Runout (Side C etched): CAD 3425 C MPO
  • Matrix / Runout (Side D etched): CAD 3425 D MPO
  • Matrix / Runout (Side E etched): CAD 905 - A MPO
  • Matrix / Runout (Side F etched): CAD 905 - B MPO

Other versions

Category Artist Title (Format) Label Category Country Year
CAD 905 Pixies Doolittle ‎(LP, Album, Ltd) 4AD CAD 905 UK 1989
E2 60856 Pixies Doolittle ‎(CD, Album, Club) Elektra, 4AD E2 60856 US 1989
TECI-21228 Pixies Doolittle ‎(CD, Album, Ltd, RE, Pap) Imperial Records , 4AD TECI-21228 Japan 2004
CAD 905 Pixies Doolittle ‎(LP, Album) 4AD CAD 905 Scandinavia 1989
9 60856-2, 60856-2 Pixies Doolittle ‎(CD, Album, ARC) 4AD, Elektra, 4AD, Elektra 9 60856-2, 60856-2 US 1989

Probably the benchmark of how to do a reissue. Class packaging that's linked to but doesn't just reproduce the original - and accommodates the vinyl without sticking or splitting. Killer pressing of the original album. All the era appropriate b-sides and a couple of Peel Sessions. Disc full of demos. And - and this is the clincher - a reasonable price, I grabbed mine for around £25. For 3 LPs! Proper bargain, very highly recommended.
Perfect by all means... Even the original album sounds much better than an older american reissue I have...
How good is the updated 'Original' version of this? Quite possibly the very best version its that good, bright, loud, clear, bass-y, wow!! ..
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