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Jack White - Lazaretto album FLAC

Jack White  - Lazaretto album FLAC
Performer: Jack White
Genre: Rock
Title: Lazaretto
FLAC album size: 1106
Style: Alternative Rock, Blues Rock, Country Rock
Country: US
Released: 2014

Music video for Jack White's "Lazaretto" directed by Jonas & Francois.

Jack White's sophomore LP might be instrumentally lavish, but these emotionally vacant songs features some of his worst tunes since the demise of the . Fav tracks: would you fight for my love, lazaretto, high ball stepper. Least fav track: want and able.

Lazaretto is the second studio album by Jack White. It was released on June 10, 2014, through White's own label Third Man Records in association with XL Recordings and Columbia Records. Lazaretto was partly inspired by a collection of short stories, poems, and plays White wrote when he was 19 years old and rediscovered years later in his attic

Produced by Jack White. Oh, my veins are blue and connected And every single bone in my brain is electric But I dig ditches like the best of 'em Yo trabajo duro Como en madera y yeso Como en madera y yeso. And even God Herself has fewer plans than me But she never helps me out with my scams for free, though She grabs a stick and then she points it at me When I say nothing, I say everything Yeah, when I say nothing, I say everything.

Album · 2014 · 11 Songs. When Lazaretto roars to action with the sweltering, Hammond-driven rocker Three Women, Jack White is on familiar terrain, unleashing a supercharged, garagey blues riff that’s as archetypal as the theme. But when the red, blonde and brunette ladies in question appear in a digital photograph, the anachronism is a striking reminder of White’s gift for recasting classic musical elements in arrestingly modern contexts

Jack White – Lazaretto (2014). Posted by NewAlbumReleases. net On June - 6 - 2014. Format: MP3 320Kbps, FLAC. FLAC (233 mb): hitfile: download. Previously on NewAlbumReleases

Jack White makes heavy, turbulent modern-blues records the same way he pursues his other passion, furniture restoration: with a decisive attention to contour, color scheme and cagey, durable detail. Lazaretto is only White’s second solo album, but he’s played on and produced dozens of records since 1999’s The White Stripes, mostly for his own Third Man label. The guy playing the brute-fuzz guitar in the Gothic-garage instrumental High Ball Stepper doesn’t sound like anyone’s pushover. But as in Three Women, White draws on older blues for these songs: prose and plays he wrote as a teenager about his busted heart and dogged ambition, sawed and planed into new settings and urgency. The kid is still in there.

Like "blunderbuss," a "lazaretto" is an ancient reference that means little in the modern world, a fact that does not escape Jack White, a musician who specializes in blurring lines between past and present. Contrary to his carefully cultivated persona as a raider of lost Americana, White never, ever was a purist: he thrived upon seizing the precise moment when accepted definitions lose all meanings and turn into something new. This tension surfaces on Lazaretto, his second solo album, a record that lives upon the edges of his interests.

Since the White Stripes split, Jack White's work has become fuller, but his idiosyncrasies have dimmed a bit, too. Lazaretto, then, makes all of his other projects sound a bit scrawny by comparison. Since the White Stripes split, Jack White's work has become fuller, but his idiosyncrasies have dimmed a bit, too. It’s the densest, fullest, craziest, and most indulgent that White has sounded with or without Meg. Whenever he talks about the White Stripes, Jack White always stresses Meg White’s importance to the band-and how could he not? She was the only other person up on stage. In the current issue of Rolling Stone, he says, I would often look at her onstage and say, ‘I can’t believe she’s up here.

Complete your Jack White collection. Diese Version verkaufen. Jack White (2). Lazaretto ‎(11xFile, AAC, Album). Lazaretto ‎(11xFile, AAC, Album, Mas).

Tracklist Hide Credits

A1 Three Women
Bass – Dominic DavisDrums – Daru JonesMandolin, Harmonica, Backing Vocals – Cory YountsOrgan [B3 Organ], Keyboards [Keys] – Ikey Owens*Pedal Steel Guitar – Fats KaplinVocals, Piano, Written-By – Jack White Written-By – Blind Willie McTell
A2 Lazaretto
Bass – Dominic DavisDrums – Daru JonesFiddle – Fats KaplinSynth [Korg] – Cory YountsSynth [Moog] – Ikey Owens*Vocals, Electric Guitar – Jack White
A3 Temporary Ground
Bass – Catherine PopperDrums – Carla AzarFiddle, Backing Vocals – Lillie Mae RischePedal Steel Guitar – Maggie Björklund*Piano – Brooke WaggonerVocals, Acoustic Guitar – Jack White
A4 Would You Fight For My Love?
Backing Vocals – Ruby AmanfuDouble Bass [Upright Bass] – Bryne Davies*Drums – Daru JonesDrums [African Drums] – Olivia JeanDrums, Timpani – Carla AzarElectric Bass – Dominic DavisElectric Guitar – Dean FertitaFiddle – Fats KaplinOrgan [B3], Piano [Rhodes] – Ikey Owens*Piano – Cory YountsPiano, Organ [B3], Synthesizer [Moog] – Brooke WaggonerVocals, Electric Guitar – Jack White
A5 High Ball Stepper
Backing Vocals, Tambourine – Ruby AmanfuBass – Catherine PopperDrums – Carla AzarElectric Guitar – Jack White Fiddle – Lillie Mae RischePedal Steel Guitar – Maggie Björklund*Piano – Brooke Waggoner
A6 Untitled
Written-By [Uncredited] – Curtis Mayfield
B1a Just One Drink (Electric Intro)
Acoustic Guitar – Maggie Björklund*Backing Vocals – Joshua V. Smith, Ruby AmanfuBass – Catherine PopperDrums – Carla AzarFiddle – Lillie Mae RischePiano – Brooke WaggonerVocals, Electric Guitar – Jack White
B1b Just One Drink (Acoustic Intro)
Acoustic Guitar – Maggie Björklund*Acoustic Guitar, Vocals, Electric Guitar – Jack White Backing Vocals – Joshua V. Smith, Ruby AmanfuBass – Catherine PopperDrums – Carla AzarFiddle – Lillie Mae RischePiano – Brooke Waggoner
B2 Alone In My Home
Backing Vocals – Lillie Mae RischeBacking Vocals, Shaker – Cory YountsDrums – Ben BlackwellElectric Bass [VI] – Dominic DavisHarp – Timbre CierpkeMandolin – Fats KaplinPiano – Ikey Owens*Vocals, Acoustic Guitar, Maracas, Shaker – Jack White
B3 That Black Bat Licorice
Backing Vocals – Olivia Jean, Ruby AmanfuClavinet, Organ [Hammond] – Brooke WaggonerDouble Bass [Upright Bass] – Bryne Davies*Drums – Patrick KeelerFiddle, Mandolin – Fats KaplinHarp – Timbre CierpkeVocals, Electric Guitar, Percussion – Jack White
B4 Entitlement
Double Bass [Upright Bass] – Dominic DavisDrums – Ben BlackwellHarp – Timbre CierpkeMandolin, Backing Vocals – Cory YountsPedal Steel Guitar – Fats KaplinPiano – Ikey Owens*Vocals, Acoustic Guitar – Jack White
B5 I Think I Found The Culprit
Backing Vocals, Shaker – Ruby AmanfuBass – Catherine PopperDrums – Carla AzarFiddle, Mandolin – Lillie Mae RischeHarp – Timbre CierpkePedal Steel Guitar – Maggie Björklund*Piano – Brooke WaggonerVocals, Acoustic Guitar – Jack White
B6 Want And Able
Vocals, Acoustic Guitar, Piano – Jack White
B7 Untitled 0:52

Companies, etc.

  • Recorded At – Third Man Studio
  • Pressed By – United Record Pressing
  • Copyright (c) – Third Face, LLC
  • Phonographic Copyright (p) – Third Man Records, LLC
  • Manufactured By – United Record Pressing
  • Published By – Third String Tunes
  • Mastered At – Gateway Mastering


  • Artwork [Hologram Track] – Tristan Duke
  • Design, Layout – Nathanio Strimpopulos, Ryon Nishimori
  • Edited By [Additional] – Lars Fox
  • Liner Notes [Musical Notations] – Dominic John Davis*
  • Management – Ian Montone, Monotone, Inc.
  • Mastered By – Bob Ludwig
  • Mixed By, Design, Layout, Photography By [Page 7] – Jack White
  • Photography By [Additional] – Lewis Hine
  • Photography By [Back Cover] – F. C. Gundlach
  • Photography By [Center Spread Image] – Mary Ellen Matthews
  • Photography By [Front Cover] – Lewis Hine
  • Photography By [Page 21] – Jill Stamps
  • Photography By [Page 9] – Carla Azar
  • Photography By [Pages 8, 14, 15, 31, 32, 33, 40, 41] – Jo McCaughey
  • Producer, Written-By – Jack White III*
  • Recorded By – Vance Powell
  • Recorded By [Assisted By] – Mindy Watts
  • Recorded By, Mixed By – Joshua V. Smith


"Lazaretto is dedicated to Florence Green, Voltairine de Cleyre, and Amazing Grace Hopper."

© 2014 ℗ 2014
All songs published by Third String Tunes (BMI) Except A1.
Recorded at Third Man Studio in Nashville, TN 2012 to 2014

Limited edition Vault-only version of the album on blue and white split-color with exclusive cover art and fold-out poster not available with the standard version.

"Ultra LP" release featuring several special features:
- Tracks A6 and B7 are untitled, hidden tracks printed on the A-side (runs at 78 RPM) and B-side (runs at 45 RPM) labels, respectively.
- Side A plays from the inside out.
- Dual-groove technology: plays an electric or acoustic intro for “Just One Drink” (B1) depending on where needle is dropped. The grooves meet for the body of the song.
- Matte finish on side B, giving the appearance of an un-played 78 RPM record.
- Both sides end with locked grooves.
- Vinyl pressed in seldom-used flat-edged format.
- Dead wax area on side A contains a hand-etched hologram by Tristan Duke of Infinity Light Science, the first of its kind on a vinyl record.
- Zero compression used in the mastering.

Tracks A1-A5 and B1-B6 are listed continuously from 1 to 11 and play at 33 ⅓ RPM.
Track A6 is an uncredited reworking of 'Pusherman', originally by Curtis Mayfield.
There is a different running order from the CD/digital version and some mixes are different from those used on CD and digital version.
Included in the package is a hardbound book of lyrics, musical notations, photos and art as a companion to Lazaretto. An old style post card is included with the book.
A download code coupon was included.
The LP is protected in the sleeve by a paper, poly-lined black die-cut inner sleeve.
The package was sent out in a Third Man Records company card mailer.

Barcode and Other Identifiers

  • Matrix / Runout (Side B, etched): TMR-271-B KITCHEN SINK
  • Rights Society: BMI

Other versions

Category Artist Title (Format) Label Category Country Year
TMR-271 Jack White Lazaretto ‎(LP, Album, Etch, Ult) Third Man Records TMR-271 US 2014
88843 06398 2 Jack White Lazaretto ‎(CD, Album, Dig) Third Man Records, Columbia 88843 06398 2 Colombia 2014
88843063982 Jack White Lazaretto ‎(CD, Album) Third Man Records, Sony Music 88843063982 Australia 2014
88843063982 Jack White Lazaretto ‎(CD, Album, Dig) Third Man Records, Sony Music 88843063982 Australia 2014
TMR-271 Jack White Lazaretto ‎(LP, Album, TP, Whi) Third Man Records TMR-271 US 2014

Quality control on this release was terrible. My record has a huge indentation in the same spot on both sides where the songs are unplayable. Unacceptable for the price!
Just picked this up today and I'm a little bit disappointed by how fuzzy/noisy it is. Anyone else have this problem?Also my electric intro to "Just One Drink" skipped when it was supposed to merge to the main track. Is this a tone arm problem?
This a good album and a worthy follow up to the excellent Blunderbuss and the Ultra LP features are interesting, if somewhat gimmicky. In my experience the "inside-out" nature of Side A makes cueing the first track a pain! I've also never been able to get the hologram to show. A nice package for the collection though.
For the love of god, Jack White, stop using United Record Pressing...
I just picked this up from Amoeba Records in SF on 2/7/15 and both sides have side one stickers. Is this a known production flaw or is mine just special?
well, the greatest record in my collection is an original issue Fela Kuti record from Nigeria so this won't take that prize. This error will be a nice addition to my collection. Hell, if it becomes more valuable it may end up financing the hobby.
Oooh buddy, you got yourself a unique misprinting! Depending on your perspective, that either sucks, or is the greatest record in your collection.
Hawk Flying
A brilliant album, but did anyone else have a download code? Mine did not.
This happens... My copy of Blunderbuss had 3!
mine came with 2. ha
Has anyone else noticed the lyrics for some of the songs in the booklet are wrong?
Bad Sunny
i'd like to buy this album but i'm really wondering if side A playing from the inside out is problematic or not...? the stylus can be damaged, am i right ? inverse force on the stylus + antiskating....?
Everyone who replied seem to not understand the premise of your question or the basics of vinyl playback. I dont know if the inward force is retained when the record is played backwards but if its not then you should ideally be able to reverse your anti skate to counter the forces. I suspect this is why some complain about left channel issues, since the stylus is mostly playing harder one one groove than the other.Everyone else here have no clue it seems, anecdotes dont prove anything.
Nah you're good. many have done this before. The grooves dictate the direction. Your needle is just dragging across. I've been playing mine on repeat, no probs here.
I'm not aware of any issue of stylus wear playing inside to out. I would agree that the label is bound to cause more stylus wear as more friction judging by the huge amount of surface noise. You're only missing a total of around 1min 30 secs of music in total if you don't play them anyway.
I would be more concerned with playing the hidden tracks under the label and damaging my needle.
It will not damage your stylus. Dont know where you got that information from.
It should be noted that the dual groove appears on the first song of Side B.
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